Belait District Museum

By Ruth Guise

During a conversation with a friend about an idea she had for a POP article, I asked her where her inspiration had come from. She lives in E7, and with two active boys they spend a lot of time on the beach, collecting shells and all the other interesting bits and bobs that wash in and out each day. It hadn’t occurred to her that some of the innocuous looking seeds might actually be harmful, until she visited the Belait Museum. She thought an article could be helpful for other beach lovers with curious children.

“There is a museum in KB?” I asked with great surprise, shortly followed by: “and more importantly, is it worth visiting?”

(Credit: Ruth Guise)

I decided to find out for myself, and after heeding her advice that it looks like it is shut, we parked on the grass after finding there was no obvious carpark. Winding our way through a bank of Mercedes and government-logoed jeeps that indicated we would be joining some local dignitaries on a tour, we found the unmarked entrance and were greeted politely by a member of staff.

The Belait Museum building once housed the Assistant British Resident back in the 1930s, and was later the residence of the Belait District Officer in the 1990s. It has served various functions including hosting His Majesty during visits to Kuala Belait. It is easy to find at the west end of Jalan Maulana, although the signposting can be described as subtle at best. You don’t need a ticket and it is free to enter.

The museum has five galleries themed around the administrative and commercial development of Kuala Belait, natural history, oil and gas, a cultural gallery and a temporary gallery which was showcasing a pleasant, bijoux collection of local art when we visited.

The Belait Museum building once housed the Assistant British Resident back in the 1930s, and was later the residence of the Belait District Officer in the 1990s. It has served various functions including hosting His Majesty during visits to Kuala Belait. It is easy to find at the west end of Jalan Maulana, although the signposting can be described as subtle at best. You don’t need a ticket and it is free to enter. The museum has five galleries themed around the administrative and commercial development of Kuala Belait, natural history, oil and gas, a cultural gallery and a temporary gallery which was showcasing a pleasant, bijoux collection of local art when we visited.

Nature

A display of beach finds (Credit: Ruth Guise)

The natural history gallery is small; it has some skeletons and models of wildlife we are familiar with here in Panaga, as well as other parts of Brunei. The seed and pod display cases house specimens of what we see regularly on the beach in Panaga, and piqued the interest of the friend who suggested giving it a mention in POP, featuring items with names such as ‘Blind-your-eyes’ and ‘Pong-pong’. The former contains a latex-like sap that can cause blisters and even temporary blindness; another part can be used as fish poison (which begs the question as to when fish are destined for such a fate!); other parts of the plant can be used for anything from making dye, to allegedly being able to cure gonorrhoea. ‘Pong-pong’ is said to be both poisonous and an effective insect repellent, so user caution is advised!

Culture

The largest gallery is the cultural exhibition, and this details the geographical settlements and movement of the local tribespeople, and subsequent transition into what is now an integrated, multicultural society.

It was fascinating to learn how the lives of the five main tribes in the Belait region differed in terms of dialect, farming practices, rituals and accommodation despite all living between Labi and the Sarawak border; distances that we take for granted as a quick commute actually contained very separate communities up until the Second World War.

(Credit: Ruth Guise)

The exhibition is heavy with narrative, albeit clearly and engagingly written in both Bahasa Melayu and English, on well designed boards. For visitors of all ages, there are various models and displays ranging from a longhouse, mannequins with traditional dress, a loom, archaeological finds of tools and examples of other household items used by the tribes.

A highlight was learning about the reverence given to the rice harvest, and all the myths and rituals surrounding it. As farming was mechanised, and other crops introduced, such practices have fallen away. However, it gave a wonderful sense of how these communities worked with nature.

Understanding how tribes from Sarawak came to settle in Brunei, the impact of the Japanese invasion, and the interaction between British colonial settlers, Chinese, Malays and the indigenous communities charts an interesting pathway into what we experience today in modern Belait.

Development and Industry

(Credit: Ruth Guise)

In two further galleries, bright and clear graphical timelines set out the transformation of the Belait area from a predominately subsistence farming region, to the powerhouse of the Bruneian oil and gas industry. With this industry being the sole reason for the existence of the Panaga community it is very poignant to see how, visually laid out, the initially slow foray into exploration gained pace and rapidly dominated. Having enjoyed reading about the historical culture of the indigenous people, it was fascinating to ponder what this quiet side of Brunei would be like, had oil exploration not become such an invaluable source of wealth for this tiny country.

The pop up art gallery was unexpected and it is always delightful to have the opportunity to see the work of local artists. All the pieces were for sale.

Recommended?

Overall this was a worthwhile and thought-provoking excursion, and proved to be a reminder that Brunei’s roots are based in tribal culture and tradition, as well as the Malay and Islamic perspectives that dominate modern society.

For little ones the Belait Museum may provide limited entertainment, however for any children of confident reading age then this is certainly worth a visit; we happily passed an hour, after which we felt more connected with our temporary home, and with the notion that we would like to continue to learn more about Brunei’s rich history.

Belait Museum states on its website to be open Saturdays to Thursdays 9am to 5pm, with last entry at 4.30pm, however the experience of others in the past has been that it is not always open. There is no telephone number listed online, so you will have to try your luck!

Upcoming Events!

Here’s some of what’s going on in Panaga over the next few weeks!

Getting to Know… Panaga Dance Centre (PDC)

by Pixie Ang

Amongst the plethora of activities at the Panaga Club, the Panaga Dance Centre (PDC) is one of the most popular sections. The PDC offers lessons for baby movement, ballet, tap, jazz and hip hop for beginners all the way through to experienced dancers. These lessons are not only available for kids but also adults at the Jungle House or the Multi Purpose Hall (MPH). For those interested but not sure if they have rhythm in their body, trial lessons are available (more info below).

Lessons

To register for a (trial) lesson, you will need to go to the Dance Section of the Panaga Club website and complete a registration form for the dance lesson you are interested in. The lesson registrar will be in touch within 7 working days for a trial lesson or to allocate a lesson time.

For the latest schedule, join their Facebook Group (“Panaga Dance Centre”). The current adults class schedule is at the bottom of this page.

The Gurus

Lessons are taught by two seasoned dancers, Chris Nocon and Susan Justimbaste-Decena. Together they have been teaching bodies to groove in Panaga since 2019. Let’s find out more about Panaga’s dancing gurus.

Chris Nocon

Chris has been dancing since the age of 10, first as a folk dancer in school before transitioning to hip hop and turning professional at the tender age of 14. Two years later he joined the University of East Dance Troupe and studied ballet. Furthering his study in Hong Kong, Chris then travelled, choreographed and performed professionally in Hong Kong, Canada, Japan and other countries. Finding love, he got married and settled in Brunei, teaching under a private studio and with Jerudong International School. Chris obtained his Royal Academy of Dance (RAD) qualification in 2014 and went back to the Philippines to teach, compete and direct productions with much success. With his trove of trophies and medals, Chris returned to Brunei in June 2019 to the Panaga Club, where he has been passing on the art of ballet and contemporary dance.

Susan Justimbaste-Decena

Susan has been dancing for over 35 years and teaching for over 25 years. Trained in ballet, jazz, tap and hip hop in her hometown of Davao City, Philippines, she was coached by award-winning teachers and nationally recognised dancers. She taught and choreographed at various schools including European International School, Perry Sevidal Ballet and Assumption College, winning multiple awards. Susan met Chris at Assumption College where he persuaded her to leave the Philippines for the Abode of Peace. Arriving in January 2020, Susan has since become a familiar face around the Panaga Club. In July 2022, Susan attained her yoga teacher qualification and has also begun imparting zen and calm to club members as well as demi pliés and flick kicks.

Quick interview with Chris and Susan

What is your favourite dance?

Chris: Romeo and Juliet because of its flare, amazing choreography and beautiful storyline.

Susan: Jazz because I feel like I can express myself better when I dance jazz.

Who are your idols?

Chris: Mikhail Baryshnikov because of his amazing classical technique.

Susan: My parents—they exposed me to dancing at a young age as they were always dancing the tango together. My love for dance started with them.

What advice left a lasting impression on you?

Chris: “Dance as if it’s the last time you’ll be able to dance.” You want your last dance to be the best and leave a lasting memory. By giving it your best, you improve more each time.

Susan: I can’t remember any specific advice but the dedication and passion that my teachers had in class left a strong impression on me.

What is your wish for your students?

Chris: I want them to do their best, be a sponge that just absorbs every lesson and have fun while learning this very tough art.

Susan: I hope that my students will learn to love dance and enjoy it under my wings. I also hope they learn discipline to carry it with them all their life.

What do you like to do in your spare time?

Chris: As a teacher and parent, I don’t really have spare time. I’m preparing for lesson or conceptualising a show or looking after my son who thinks he is spiderboy, climbing on almost everything. We watch movies as a family like Sing or Lion King… like 1000 times, haha.

Susan: I try my hands on just about anything­—one day I am drawing and other days I’m upcycling. I play the guitar and ukulele. I read and study more about dance and yoga. I also love finding new places to eat.

Recitals

Twice a year, dance recitals are held where students perform in front of families and friends in fabulous costumes and customised choreography. These much anticipated events generate a buzz of excitement and are elaborate mini-productions which boost performance confidence and tighten community bonds. To round off this year, there will be an end of year open house where parents are invited to attend lessons and watch a mini show.

Dance Shop

The PDC runs a Dance Shop located upstairs in the MPH overlooking the courts and the dance floor. It is currently open on Tuesdays, 2:30­–3:30 p.m., and Fridays, 5–6 p.m.

Volunteer Opportunities

There are plenty of ways to support the PDC:

  1. The Dance Shop is opened and run by volunteers—even an hour a week would help improve accessibility to members.
  2. The costume storeroom is located outside the MPH and houses all the dance costumes acquired over the years. These costumes bring recitals to life, and volunteers are needed to help sort and organise these wonderful garments.
  3. Recitals and RAD exams need volunteers to do any number of tasks to keep these events running smoothly, from costume distribution to ushering.

If you would like to get involved, email committee.panagadance@gmail.com and one of the friendly PDC committee members will get back to you.